In my work "Digital portals," I explore the dualism of the Taiga through the visualization of myth. The human eye and ear are imperfect. People fail to see and hear much of what surrounds them. But during the "Okrasheno" festival, we can perceive a different Taiga.
Certain musical frequencies become a key to a parallel world. The forest, mountains, air, bodies of water, fire, and stars change their form and are painted in astonishing combinations of colors. All of this unfolds within the digital portals against the backdrop of the natural landscape, allowing festival guests to see both realities—the digital and the physical Taiga—simultaneously.